A Piece Of Work – LP / Digital – is out TODAY – March 4

I am thrilled to announce that ‘A Piece Of Work‘ is officially out on LP / Digital today via Berlin based label Second Editions. This piece was originally commissioned for radio broadcast in 2019 by Radiophrenia (Glasgow) and was developed further through live performances in 2019-2021 to conclude in this final version.

The piece features guest appearances by Seiji Morimoto (electronics) and Oren Ambarchi (percussion). Mixed with Joe Talia at Good Mixture and mastered/cut by Anne Taegert at Dubplates & Mastering in Berlin.

I would like to send a BIG thank-you to Malte Jantzen of Second Editions for his support, enthusiasm and patience(!).

The album is available at all the great distributors (EU/US/JP) and can be purchased digitally directly through my bandcamp page HERE.

‘Assembled from fragments collected in Oslo, Berlin, Vienna, Winnipeg, Melbourne and Lisbon, ‘A Piece of Work’ is far more than a travelog or audio diary. cole’s compositions develop more like poetry, resolutely refusing to intone clearly about the exactness of place, but instead representing space, feeling and the joy of investigation. There’s a collage quality to the almost 30-minute composition that flows gently from blustering concrete sounds into warbling tonal drones, subtle crackles and synthesized sputters. But cole’s less interested in hard cuts than imperceptible evolution; her elements shift like sunlight, dipping behind the clouds for a moment, diving from view with perfect, natural timing.’

– Boomkat UK

New Commission w/ Oren Ambarchi presented live this week for Radiophrenia in Glasgow

On Tuesday February 15 Oren and I will present a new commission in a live to air performance for the wonderful Radiophrenia in Glasgow Scotland. The piece titled ‘1200 Hours AEST / CET‘ was developed during the first extended period that we had been separated by oceans since 2018. 

The backbone of the work is built of momentary daily recordings, mapping each day that we were apart, linking us across great distances and multiple time zones. From Berlin to Australia (Sydney & Melbourne) thirty-one seconds were captured every day at midday for thirty-one days. 

The live performance of the piece draws an additional metaphor for this period of separation and reuniting; we will each play a different sustained tone – one beginning at a higher pitch and the other from a lower pitch, and gradually sweep these tones towards the other until we conclude by meeting at the same destination tone.

The live component of this piece is an homage to the late Alvin Lucier, whose presence, work and ideas we are forever grateful. 

Details about our performance & the rest of this fantastic program here.